
Why the Perpetual Pageboy, you ask? Surely she is memorable for much more than a hairstyle that endured roughly 75 years. And she is - I can't downplay her tenacity, her unpretentious girl-next-door persona, her incredible box office appeal, or the fact that during any one of her movies, she cries approximately every 13.4 minutes, this heartbreaking little petunia. (Watching her, though, so do I.) But as much as June Allyson represents the best years MGM had to offer - the brightest, most colorful musicals, engaging biopics and first-rate stars - the pageboy represents, or is at least as lovingly associated with, Junie. Regardless of the time period her movie is set in, there it is, blonde and demure and expertly coiffured. Don't believe me? Let's take a little look-see at a few of her best and most memorable movies in our convenient Pageboy Table below:

See? It really is perpetual. Which isn't to say that there aren't any movies in which she has long hair (The Bride Goes Wild) or a short, chic coif (The Opposite Sex) or even a very un-Junie-like pile of tresses (Two Sisters from Boston), it's just that no matter what, she reliably returns to that perfectly complementary cut that's as sweet and uncomplicated as she always seemed to be.
Happy belated birthday, Junie!
*Disclaimer: Being Catholic, I understand that this reference may offend someone, but it is certainly not my intent to do so. Sweet as she was, I know Junie was not a saint!
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